Harold Mabern Jr. (March 20, 1936 – September 17, 2019)West, Michael J. Harold Mabern 1936-2019 was an American jazz pianist and composer, principally in the hard bop, post-bop, and soul jazz fields.Feather, Leonard; Gitler, Ira (2007) The Biographical Encyclopedia of Jazz. p. 425. Oxford University Press. He is described in The Penguin Guide to Jazz Recordings as "one of the great post-bop pianists".Cook, Richard; Morton, Brian (2008) The Penguin Guide to Jazz Recordings (9th ed.). p. 1136. Penguin. Commercial Appeal "Memphis jazz great Harold Mabern has died"
Mabern learned orchestration techniques from bassist Bill Lee, and comping and chord voicing from pianists Chris Anderson and Billy Wallace.
Mabern steadily built a reputation in New York as a sideman, playing with, among others, Lionel Hampton's big band in 1960 (including a tour of Europe),Rinzler, Paul; Kernfeld, Barry "Mabern, Harold(, Jr.)". The New Grove Dictionary of Jazz (2nd ed.). Grove Music Online. Oxford Music Online. Oxford University Press. Accessed June 28, 2013. (Subscription required.) the Jazztet for 18 months in the period 1961–62, accompanying vocalists, including Betty Carter, Johnny Hartman and Arthur Prysock, and working with trumpeter Donald Byrd and drummer Roy Haynes. After completing a 1963 tour with Haynes, he had a six-week engagement at the Black Hawk in San Francisco with Miles Davis. Mabern went on to spend time with J. J. Johnson in 1963–65 after being briefly with Sonny Rollins. In 1965, he also played with Lee Morgan, an association that continued on and off until the night in February 1972 that Morgan was shot dead at Slug's Saloon, with Mabern present. Mabern toured in Europe with Wes Montgomery later in 1965 as part of a band that had been together for around two years before the European tour, traveling as a quartet from gig to gig in one car.Fitzgerald, Tim "625 Alive: The Wes Montgomery BBC Performance Transcribed" pp. vii–ix. From 1965, Mabern also worked with Freddie Hubbard, Jackie McLean, Hank Mobley, Blue Mitchell (1966), Sarah Vaughan, and Joe Williams (1966–67).
Among other musicians Mabern played with from this period were Milt Jackson in 1977,Ford, Robert (March 26, 1977) "Talent in Action" Billboard. and Billy Harper for a tour of Japan in the same year.Carr, Ian; Fairweather, Digby; Priestly, Brian (1995) Jazz: The Rough Guide. p. 398. The Rough Guides. Four years later, Mabern toured Europe with George Coleman, and played with Eddie "Cleanhead" Vinson.Wilson, John S. (August 08, 1981) "Jazz 4: Eddie Vinson" The New York Times. p. 28. The following year, Mabern played with James Moody.Stokes, W. Royal (May 15, 1982) "Moody's Sizzling Saxophone & Flute". The Washington Post. There were also performances and recordings with innumerable other musicians, both as leader and sideman. Mabern also worked with two piano-based groups: the Piano Choir, formed and led by Stanley Cowell from the early 1970s and featuring at least six pianists/keyboardists, and the four-player Contemporary Piano Ensemble, the latter being formed in the early 1990s to pay tribute to Phineas Newborn Jr. and touring extensively, including at the Montreal (1991) and Monterey Jazz Festivals (1996). Contemporary Piano Ensemble". AllMusic.
Mabern had a career resurgence after his album Straight Street was a success in Japan in 1989. He visited Japan in 1990 as a member of a ten-pianist group that toured together but played and recorded separately. "100 Gold Fingers: Piano Playhouse 1990". AllMusic. In the mid-1990s, Mabern toured with and led a trio of bassist Erik Applegate and drummer Ed Thigpen. In later years, he recorded extensively with his former William Paterson University student, the tenor saxophonist Eric Alexander. All About Jazz: Harold Mabern and Eric Alexander: The Art of Duo (May 4, 2005). In 2010, Mabern received the Don Redman Heritage Award.Arnold, Tiffany (June 24, 2010) "Jazz Giants to Be Recognized at Don Redman Heritage Awards & Concert". herald-mail.com
Mabern's repute in Japan was reflected in his signing by the Japanese label Venus Records, which resulted in six albums from 2002; Mabern stated in 2004 that his 2002 recording for Venus, Kiss of Fire, featuring Alexander as a guest, was his best seller. A longtime faculty member at William Paterson University (from 1981),Ross, Jon (October 2012) "William Paterson University: 40 Years of Trailblazing Jazz Education". Down Beat. p. 134. Mabern was a frequent instructor at the Stanford Jazz Workshop. Mabern's stated piano preference was "naturally the Steinway D, but if you can't get a D, any Steinway".
In 2015, Mabern released Afro Blue, "the first of Mabern's two dozen leader dates to showcase the context in which he worked frequently during the 1960s: accompanying vocalists".Panken, Ted (July 2015) "A Million Dollars' Worth of Experience". Down Beat. "Mabern played in Britain ... in 2017 and 2018 with a quartet featuring Alexander, and finally for two evenings with his trio at Ronnie Scott's club in May 2019." Mabern, who was a regular at Smoke (jazz club) recorded his final four albums on the club's label Smoke Sessions.
Mabern died of a heart attack in New Jersey on 17 September 2019.
When accompanying vocalists, Mabern stated that he played with "less force, less aggression. I use the soft pedal. You don't voice the chord with the leading tone. You wait for them to sing a phrase, then fill in the space."
1968 | A Few Miles from Memphis | Prestige Records | Mabern's first release as leader | |
1968 | Rakin' and Scrapin' | Prestige Records | Mabern also plays electric piano | |
1969 | Workin' & Wailin' | Prestige Records | Mabern also plays electric piano | |
1970 | Greasy Kid Stuff! | Prestige Records | Sextet, with Lee Morgan (trumpet), Hubert Laws (flute, tenor sax), Buster Williams (bass), Idris Muhammad (drums), Joe Jones (guitar; 1 track) | |
1978 | Pisces Calling | Trident | Trio, with Jamil Nasser (bass), Walter Bolden (drums) | |
1985 | Joy Spring | Sackville | Solo piano; in concert | |
1989 | Straight Street | DIW Records | Most tracks trio, with Ron Carter (bass), Jack DeJohnette (drums); one track solo piano | |
1991–92 | Philadelphia Bound | Sackville | Duo, with Kieran Overs (bass) | |
1992 | A Season of Ballads | Space Time | Trio, with Ray Drummond (bass), Alan Dawson (drums); album shared with Donald Brown and Charles Thomas trios | |
1992–93 | The Leading Man | DIW Records | Some tracks trio, with Ron Carter (bass), Jack DeJohnette (drums); some tracks with a guest, Bill Mobley (trumpet, flugelhorn), Bill Easley (alto sax), Kevin Eubanks (guitar), Pamela Baskin-Watson (vocals); one track piano solo; later Columbia Records issue has some different trio tracks, with Christian McBride (bass), DeJohnette (drums) | |
1993 | Lookin' on the Bright Side | DIW | Trio, with Christian McBride (bass), Jack DeJohnette (drums) | |
1995 | For Phineas | Sackville | Duo, with Geoff Keezer (piano); in concert | |
1996 | Mabern's Grooveyard | DIW Records | Trio, with Christian McBride (bass), Tony Reedus (drums) | |
1999 | Maya with Love | DIW Records | Trio, with Christian McBride (bass), Tony Reedus (drums) | |
2001 | Kiss of Fire | Venus Records | Trio, with Nat Reeves (bass), Joe Farnsworth (drums); Eric Alexander (tenor sax) as guest | |
2003 | Falling in Love with Love | Venus Records | Trio, with George Mraz (bass), Joe Farnsworth (drums) | |
2003 | Don't Know Why | Venus Records | Trio, with Nat Reeves (bass), Joe Farnsworth (drums) | |
2004 | Fantasy | Venus Records | Trio, with Dwayne Burno (bass), Joe Farnsworth (drums) | |
2005 | Somewhere Over the Rainbow | Venus Records | Trio, with Dwayne Burno (bass), Willie Jones III (drums) | |
2006 | Misty | Venus Records | Solo piano | |
2012 | Mr. Lucky | HighNote Records | Most tracks quartet, with Eric Alexander (tenor sax), John Webber (bass), Joe Farnsworth (drums); one track trio, without Alexander; one track solo piano | |
2012 | Live at Smalls | SmallsLive | Trio, with John Webber (bass), Joe Farnsworth (drums); in concert | |
2013 | Right on Time | Smoke Sessions | Trio, with John Webber (bass), Joe Farnsworth (drums); in concert | |
2014 | Afro Blue | Smoke Sessions | With Eric Alexander (tenor sax), John Webber (bass), Joe Farnsworth (drums); plus guests Jeremy Pelt (trumpet), Steve Turre (trombone), Peter Bernstein (guitar), Alexis Cole, Kurt Elling, Norah Jones, Jane Monheit, Gregory Porter (vocals) | |
2017* | To Love and Be Loved | Smoke Sessions | Most tracks quartet, with Eric Alexander (tenor sax), Nat Reeves (bass), Jimmy Cobb (drums); some tracks quintet, with Freddie Hendrix (trumpet) or Cyro Baptista (percussion) added; one track solo piano | |
2018 | Smoke Sessions | Quartet, with Eric Alexander (tenor sax), John Webber (bass), Joe Farnsworth (drums); in concert | ||
2018 | Mabern Plays Mabern | Smoke Sessions | Sextet, with Eric Alexander (tenor sax), Vincent Herring (alto sax), Steve Davis (trombone), John Webber (bass), Joe Farnsworth (drums); in concert | |
2018 | Mabern Plays Coltrane | Smoke Sessions | Sextet, with Eric Alexander (tenor sax), Vincent Herring (alto sax), Steve Davis (trombone), John Webber (bass), Joe Farnsworth (drums); in concert |
1959 | All the Gin Is Gone | Delmark Records | |
1959 | Black Forrest | Delmark Records | |
1960 | MJT + 3 | Vee-Jay Records | |
1961 | Perception | Argo Records | |
1962 | Here and Now | Mercury Records | |
1962 | Another Git Together | Mercury Records | |
1962 | March of the Siamese Children | Jazzland | |
1963 | Swamp Seed | Riverside | |
1963 | Reeds & Deeds | Mercury Records | |
1963 | The Roland Kirk Quartet Meets the Benny Golson Orchestra | Mercury Records | |
1964 | Inside Betty Carter | United Artists | |
1964 | Proof Positive | Impulse! | |
1965 | Consequence | Blue Note | |
1965 | Dippin' | Blue Note | |
1965 | The Gigolo | Blue Note | |
1965 | The Night of the Cookers | Blue Note | |
1965 | Blue Spirits | Blue Note | |
1965 | Kings of the Guitar | Beppo | |
1965 | Jazz 625 | Vap | |
1965 | Solitude | BYG Actuel | |
1965 | Belgium 1965 Rounder | Vestapool | |
1966 | Bring It Home to Me | Blue Note | |
1967 | Electric Soul! | Prestige Records | |
1968 | My Fire! | Prestige Records | |
1970 | Live at the Lighthouse | Blue Note | |
1970 | Black Rhythm Revolution! | Prestige Records | |
1970 | The Black Cat! | Prestige Records | |
1970 | Alone Together | Columbia Records | |
1971 | The Last Session | Blue Note | |
1971 | The Sugar Man | CTI Records | |
1973 | Don't Mess with Mister T. | CTI Records | |
1973 | Body Talk | CTI Records | |
1973 | Profoundly Blue | Muse Records | |
1973 | Handscapes | Strata-East | |
1974 | The Loud Minority | Mainstream | |
1974* | Man & Woman | Groove Merchant | |
1975 | Handscapes 2 | Strata-East | |
1976 | Here and Now | Catalyst | |
1976 | Remember Me | SteepleChase | |
1977 | What's Goin' On | SteepleChase | |
1977 | Soran-Bushi, B.H. | Denon Records | |
1977 | Revival | Catalyst | |
1978 | Walt Bolden | Nemperor Records | |
1978 | Keeper of the Flame | Muse Records | |
1978 | Just Friends | SteepleChase | |
1979 | Variety Is the Spice | Gryphon | |
1983 | First Venture | Big Tampa | |
1985* | Manhattan Panorama | Theresa Records | |
1987 | At Yoshi's | Theresa Records | |
1989 | Four Pianos for Phineas | Evidence Music | |
1990 | Piano Playhouse 1990 | Absord Music Japan | |
1990 | Coming out Swinging | Muse Records | |
1992 | Straight Up | Delmark Records | |
1993 | Up, Over & Out | Delmark Records | |
1993 | Cartunes | Muse Records | |
1993 | The Key Players | Sony Music | |
1993 | Cerupa | Delmark Records | |
1996 | Scotch and Milk | Delmark Records | |
1996 | Motherless Child | Delmark Records | |
1997 | Mode for Mabes | Delmark Records | |
1997 | Crossfire | Criss Cross | |
1997 | Jim's Bop | Criss Cross | |
1998 | Payne's Window | Delmark Records | |
1998 | I Could Write a Book: The Music of Richard Rogers | Telarc | |
1999 | Live at the Keynote | Video Arts | |
1999 | The First Milestone | Milestone | |
2000 | The Second Milestone | Milestone | |
2000 | Delmark Records | ||
2001 | Summit Meeting | Milestone | |
2002 | Nightlife in Tokyo | Milestone | |
2003 | Deja Vu | Venus Records | |
2004 | Dead Center | HighNote Records | |
2004* | It's Prime Time | Village | |
2004 | Powder Keg | Two & Four | |
2005 | It's All in the Game | HighNote Records | |
2006 | New York Accent | Cellar Live | |
2009 | Revival of the Fittest | HighNote Records | |
2009 | Chim Chim Cheree | Venus Records | |
2010 | Don't Follow the Crowd | HighNote Records | |
2011 | Super Prime Time | Sony Music | |
2012 | Touching | HighNote Records | |
2013 | Blues at Midnight | Venus Records | |
2013 | Chicago Fire | HighNote Records | |
2014* | Recado Bossa Nova | Venus Records | |
2015 | The Real Thing | HighNote Records | |
2015* | Say When | Smoke Sessions | |
2016 | Second Impression | HighNote Records | |
2018 | Live at Frankie's Jazz Club | Cellar Live | |
2019 | The Quartet | Smoke Sessions | |
2019 | This I Dig of You | Smoke Sessions |
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